![]() Pixar’s biggest obstacle at this point was their own track record as so many of their films had been so emotional that a certain standard had been set. ![]() Monsters University is Pixar’s take on a college movie, with Mike (Billy Crystal) and Sulley (John Goodman) reintroduced as freshmen at MU, both with dreams of making it as a “scarer.” It doesn't have the emotional weight of the first one (Boo, you are missed), but Monsters University is still a fun and funny movie in its own right. With Ed O'Neill, Idris Elba, Dominic West, and Sigourney Weaver adding their voices to the odyssey, Finding Dory manages to be visually impressive and disarmingly charming though it still can't shake off the unnecessary sequel vibe given that it doesn't improve on the classic first film and it came during a Pixar era of commercially-driven "sameness." 22. Finding DoryĪfter a half decade of mostly sequels, and two originals that fell short of expectations, Finding Dory brings back friends-not-food Marlin, Nemo, and Dory for another undersea adventure - this time about tracking down short term memory-challenged Dory as she searches for her long lost parents. Cars 2 isn't the usual intimate magical experience you expect from Pixar fare, but it's still a high-octane adventure the burns fast and furious. But the fast pacing works in the film's favor, as the slightly morbid moments flicker in and out as quickly as race car laps. What's lost here, for the most part, is the warmth and heart that we adore, and expect, from most Pixar offerings.Ĭars 2 is also a darker film where several car characters do meet an untimely, and sometimes gruesome, end. Cars 2Ĭars 2 benefits from cherry-picking the best elements of the first Cars movie and switching genres completely by taking Lightning McQueen and Mater out of Radiator Springs and dropping them into the middle of a fast-paced, dynamic spy flick. ![]() Still, Cars 3 came about at a time when viewers wanted either new Pixar products and/or sequels to better Pixar movies. Generally, Cars 3 is lauded for being the deepest, most introspective entry of the three, with the consensus being that it's the Cars flick most aimed at adult Pixar fans. Cars 3 goes the Rocky Balboa comeback route for a more internalized story about Lightning McQueen's doubt and fear when pitted against a younger, faster generation of racers. Cars is a merchandise cash cow, but it's also the studio's brand that's left the most older viewers cold. As the second Pixar franchise to get a third movie, Cars is a great example of the more traditional disconnect between kids and grownups when it comes to blockbuster animation.
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